2025年德國電影展·北京站 百老匯系列影城片單發布｜2025 FGC Broadway Cinemas Programme

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本文轉自：德國電影節

2025年德國電影展·北京站 百老匯片單來啦！

2025 FGC Broadway Cinemas Programme Out Now！

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2025年德國電影展·北京站將于11月7日-16日展開，在百老匯系列影城及歌德學院為觀眾呈現12部精彩的德國佳片。本次首先帶來的是將于百老匯系列影城展映的7部作品。它們會在北京百老匯電影中心（萬國城店）及北京百麗宮影城（國貿店）與觀眾見面（放映影院以實際排片為準）。

影展由德國電影協會和北京德國文化中心·歌德學院（中國）聯合舉辦，百老匯系列影城協辦，并得到了德國駐華大使館及領事館的支持。

其他城市片單及開票信息將陸續公布，敬請關注各地百老匯系列影城官方公眾號！

The Festival of German Cinema 2025 will open in Beijing on November 7th. The festival will screen a total of 12 films in Broadway Cinemas and at the Goethe-Institut China in four cities across China. Here, we are introducing the first seven films that will be screened at Broadway Cinemas in Beijing, includingBroadway Cinematheque Beijing (MOMA)andPalace Cinema (CWTC BJ).

The Festival is presented byGerman Filmstogether with co-organizers,the Goethe-Institut ChinaandBroadway Cinemas, with the support of the German Embassy and Consulates in China.

Programme and ticketing information for other cities will be announced soon on the official social media platforms of Broadway Cinemas! Stay tuned!

2025年德國電影展預告片 2025FGC Trailer

百老匯系列影城展映片單

Broadway Cinemas Programme

在我父母家IN MY PARENTS' HOUSE

蒂姆·艾爾里奇

德國｜2025｜劇情

97分鐘｜德語

在父母家中，霍勒的哥哥斯文已獨自沉默生活了數十年。他游離于家庭生活之外，身影逐年淡去。無人知曉他內心的世界，家人們早已默許這種沉默與容忍構筑的脆弱平衡。唯有霍勒始終無法全然接受。盡管如此，她也已不再提起，轉而專注于自己作為靈性療愈師的新使命——這是她首次真正踏上自我實現之路。

然而當母親突然入院，這虛假的平靜驟然粉碎。面對哥哥日益惡化的狀態，霍勒不顧其抗拒與家人的遲疑，決意伸出援手。當其他兄弟姐妹選擇回避時，只有她察覺到一場更大的危機正在逼近。

Tim Ellrich

Germany｜2025｜Fiction Feature

97 min｜German

In her parents’ house, Holle’s brother Sven has been living in silent isolation for decades. He remains detached from the family’s life, seeming to fade away more and more each year. What goes on inside him is a mystery to everyone, and his family has quietly come to terms with the situation - a fragile balance of silence and tolerance. Only Holle is the one who has never fully accepted this situation. Nevertheless, she no longer brings it up, focusing instead on her new calling as a spiritual healer. For the first time, Holle is taking steps toward her own self-fulfillment. But when her mother is unexpectedly admitted to the hospital, the deceptive calm shatters. Holle is increasingly confronted with her brother’s worsening condition and becomes determined to help him, despite his resistance and the family’s reluctance. While her other siblings look away, Holle senses a far greater crisis looming.

第54屆鹿特丹國際電影節

金虎獎 評委會特別獎

2025 International Film Festival Rotterdam

[Winner] Tiger Award - Special Jury Award

馬戲團的孩子CIRCUSBOY

安娜·科赫&尤利婭·萊姆克

德國｜2025｜紀錄

86分鐘｜德語

十一歲的桑蒂諾——一個生在篷帳下的孩子。他與八十歲的曾祖父（歐洲最后幾位傳奇馬戲班主之一）形影不離，這一老一少成了忘年之交。他們共同珍藏那些溫熱的記憶：與大象的友誼、告別的時刻、新的啟程，以及大篷車上的流浪人生。

這部紀錄片式的公路電影真實而魔幻地記錄了現代游牧民族的生活，透過少年的眼睛展現這個與動物為伴、以帳篷為家的延展式家族。沒有安全網的人生，卻如飛鳥般自由。適合全家觀賞的作品，完美呈現了馬戲團生活的現實與魔力。

Anna Koch & Julia Lemke

Germany｜2025｜Documentary

86 min｜German

Eleven-year-old Santino is a child of the circus. He loves to spend time with his eighty-year-old great-grandfather, one of Europe‘s last great circus directors, who has become his best friend. Together, they share heartwarming stories: tales of a friendship with an elephant, of farewells, new beginnings, and life on the road.

CIRCUSBOY chronicles the lives of these modern nomads, capturing a young boy‘s experience growing up among an extended family and animals—a life without a safety net, as free as a bird. This documentary road movie for children and families portrays circus life in all its reality and magic.

第75屆柏林國際電影節

新生代兒童單元 水晶熊最佳長片特別提及

2025 Berlin International Film Festival

[Winner] Generation Kplus - Crystal Bear Special Mention

默爾恩來信THE MOELLNS LETTER

馬丁娜·普里斯納

德國｜2025｜紀錄

97分鐘｜德語、土耳其語

1992年11月，發生在默爾恩的種族主義縱火案徹底摧毀了易卜拉欣·阿爾斯蘭一家。年僅七歲的易卜拉欣雖幸免于難，卻永遠失去了妹妹、表姐和祖母。案發后，這座城市收到數百封慰問信，卻在近三十年間被束之高閣。當易卜拉欣踏上這段交織著傷痛與發現的旅程，與三位寫信人相遇時，這些重見天日的信件在過往與當下之間架起了一座情感與影像的橋梁。影片跟隨易卜拉欣兄弟的足跡，深刻描繪了這場持續至今的創傷圖景——哥哥易卜拉欣選擇通過反種族主義斗爭和以受害者視角為核心的紀念文化來療傷，而弟弟納姆克仍在直面創傷的漫漫長路上艱難前行。

這部作品不僅放大了受害者與幸存者的聲音，更揭示了當年不為人知的熾熱聲援——那些受害者們從未知曉的溫暖。它提供了一種全新的記憶視角：認真傾聽幸存者的聲音與經歷，給予他們應得的關注空間和歷史認同。

Martina Priessner

Germany｜2025｜Documentary

97 min｜German, Turkish

In November 1992, a racist arson attack in M?lln shattered the lives of ?brahim Arslan and his family. At just seven years old, ?brahim survived, but he lost his sister, his cousin and his grandmother. In the aftermath of the attacks, the city received hundreds of letters of solidarity which were ignored for nearly three decades. Woven into ?brahim’s poignant journey of discovery and his encounters with three letter writers, these rediscovered letters form a visual and emotional bridge between past and present. The film follows ?brahim and his siblings, painting a complex portrait of the lasting trauma that continues to affect them to this day. While ?brahim has found a way to cope by fighting against racism and advocating for a remembrance culture centred on the victims’ perspectives, his brother Namik is still at the beginning of his journey to come to terms with the traumatic experiences.

The film not only amplifies the perspectives of the victims and survivors but also uncovers the vibrant solidarity that once existed – a solidarity of which the victims and survivors were previously unaware. It offers a new perspective on remembrance – one that takes the voices of survivors and their experiences seriously and provides them with the space and recognition that they deserve.

第75屆柏林國際電影節

全景單元 最佳紀錄片觀眾選擇獎

2025 Berlin International Film Festival

[Winner] Panorama Dokumente - Audience Award

瑪麗埃爾都知道

WHAT MARIELLE KNOWS

弗雷德里克·漢巴萊克

德國｜2025｜劇情

87分鐘｜德語、法語

茱莉亞和托比亞斯堪稱完美夫妻。但在光鮮外表與設計師廚房的背后，暗流正在涌動。當女兒瑪麗埃爾突然覺醒心靈感應能力——無論晝夜都能窺見父母的一言一行時，夫妻間脆弱的平衡被徹底打破。兩人很快意識到，那些互相欺瞞的謊言再也無法對瑪麗埃爾隱藏。當最不堪的秘密接連曝光，茱莉亞和托比亞斯陷入了一場相互操控的游戲，局面逐漸演變成越來越尷尬荒誕的鬧劇，最終將矛盾與后果推向不可收拾的地步。

Frédéric Hambalek

Germany｜2025｜Fiction Feature

87 min｜German, French

Julia and Tobias seem to be the perfect couple. But behind the fa?ade and designer kitchen, trouble is brewing. The fragile balance between the two is shattered when their daughter Marielle suddenly develops telepathic abilities, granting her the power to see and hear everything her parents do – day and night. The couple soon realises that the lies they have been telling each other can no longer be hidden from Marielle. When their most uncomfortable secrets are exposed, Julia and Tobias engage in a manipulative game that leads to increasingly awkward and absurd situations which escalate the conflict and the consequences.

第75屆柏林國際電影節

主競賽單元 金熊獎(提名)

2025 Berlin International Film Festival

[Nominee] Competition - Golden Berlin Bear

驕傲與姿態PRIDE & ATTITUDE

格爾德·克羅斯克

德國｜2025｜紀錄

113分鐘｜德語

《驕傲與姿態》這個恰如其分的標題，矗立在克魯格/內格特與簡·奧斯汀的思想交匯處。格爾德·克羅斯克最新這部審視東德歷史語境及其余波的紀錄片中，女主角們既關注勞動力量，也探尋女性實現社會參與與自我價值的可能途徑，抑或是追問為何男性在不同政治體制下都視這些權利為理所當然。影片開篇引用克里斯塔·沃爾夫的警句："歷史的天平總是傾向那些有足夠氣息決定風向的人"。通過分屏實驗手法，克羅斯克構建起女性、東德、西德的三重對話維度，叩問"曾經獲得什么——又失去了什么"。影片呈現萊比錫Kanal X電視臺在1990年代初拍攝的珍貴U-matic錄像帶，記錄下產業女工遭遇真實裁員與設備拆除的歷史場景。當這些女性如今再度講述失去來之不易的自主權時，這部多聲道電影成為一次震撼人心的檔案發現。

Gerd Kroske

Germany｜2025｜Documentary

113 min｜German

The views of female employees of large factories in a country that no longer exists. Pride & Attitude. A title appropriately settled at the intersection of Kluge/Negt and Jane Austen. The protagonists in Gerd Kroske’s latest survey of the past and the state of affairs in the context and afterlife of East Germany are concerned with both – labour power and questions of women, as in questions about possibilities as a woman to work, participate actively in social life and achieve self-realisation. Or the question of why men take these issues for granted, ultimately regardless of the political system. “The mantle of history blows in favour of those with enough breath to determine the direction of the wind,” states Christa Wolf in a quote at the start of the film. Woman, East Germany, West Germany: Kroske creates an experimental set-up with split screens and asks, “What was once gained – what is lost?” The film presents U-matic footage of female industrial workers in the early 1990s shot by Leipzig’s Kanal X to document real dismantling and layoffs. An archival find. Today, the same women speak again about the loss of their hard-won sovereignty. A multi-channel film.

第75屆柏林國際電影節

論壇單元

2025 Berlin International Film Festival

Forum

歇斯底里HYSTERIA

穆罕默德·阿基夫·布尤卡塔萊

德國｜2025｜劇情

104分鐘｜德語、英語、土耳其語、庫爾德語、阿拉伯語

當片場驚現一本被焚毀的古蘭經時，電影拍攝急轉直下陷入黑暗漩渦，整個劇組陷入混亂。實習生艾莉芙被卷入這場風波，被迫參與一場充滿秘密、指控與謊言的危險游戲。穆罕默德·阿基夫·布尤卡塔萊這部充滿曖昧與挑釁的陰謀驚悚片，巧妙運用"戲中戲"手法，劇情反轉令人猝不及防。影片尖銳地探討了影像的力量，以及社會認知、心理投射與集體癔癥之間的微妙博弈。

Mehmet Akif Büyükatalay

Germany｜2025｜Fiction Feature

104 min｜German, English, Turkish, Kurdish, Arabic

When a burned Quran is found on a film set, the shoot takes a dark turn and the crew are thrown into turmoil. Caught in the crossfire, an intern, Elif, is drawn into a dangerous game of secrets, accusations and lies. Mehmet Akif Büyükatalay’s ambiguous, provocative conspiracy thriller plays with the film-within-a-film motif and is rich in unexpected twists. A piercing reflection on the power of images and the dynamics of perception, projection and societal hysteria.

第75屆柏林國際電影節

全景單元 歐洲電影獎

2025 Berlin International Film Festival

[Winner] Panorama - Label Europa Cinemas

締造者：一支德國重金屬的傳奇

KREATOR: HATE & HOPE

考度拉·卡布里茨-珀斯特

德國｜2025｜紀錄

110分鐘｜德語、英語

在全球樂迷心中，他們是神祇般的存在，但他們的音樂卻仿佛被惡魔附體——比任何人都更暴烈、更迅猛、更不妥協。德國樂隊KREATOR早已登頂鞭撻金屬樂壇。本片首次完整呈現這支傳奇金屬樂隊四十年的歷史，從1982年在魯爾區校園樂隊的初創時期，到如今世界巡演的國際大舞臺。無論過去還是現在，他們始終直面社會的仇恨與深淵。尖銳的音調、精湛的吉他連復段和充滿能量的鼓點，以驚人的意志力和創造力詮釋著這個文明的動蕩。在漢娜·阿倫特的語錄和無頭尸體的意象之間，浮現出一首精心雕琢的混沌詩篇——這支對抗邪惡的音樂"莫洛托夫雞尾酒"，具有強烈的宣泄效應。

Cordula Kablitz-Post

Germany｜2025｜Documentary

110 min｜German, English

For their fans worldwide, they are gods, but their music seems possessed by the devil—more aggressive, faster, and more uncompromising than others. The German band KREATOR has long since reached the pinnacle of the thrash metal scene. The film KREATOR – HATE & HOPE tells the forty-year history of the celebrated metal band for the first time, from their founding as a school band in 1982 in the Ruhr area to the grand international stages of their current world tour. Then as now, they stand against the hatred and the abysses of our society. Shrill tones, virtuosic guitar riffs, and energetic drumbeats process the turmoil in our civilization with tremendous willpower and creativity. Between Hannah Arendt quotes and headless corpses, emerges a well-crafted poetry of chaos full of symbols of horror – a musical Molotov cocktail against evil with a cathartic effect.

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