Pengxi Stone Art: A Timeless Heart

蓬溪縣文井鎮(zhèn)高峰山的老子塑像。圖據(jù)蓬溪文旅

蓬溪石雕作品。圖據(jù)蓬溪文旅

蓬溪石雕作品。圖據(jù)蓬溪文旅

◎成都樹(shù)德中學(xué)寧夏校區(qū)高三（4）班廖涵宇
　　When it comes to Sichuan’s intangible cultural heritage, Pengxi Stone Carving enjoys a high reputation for its vivid imagery and dynamic local style, earning it the fame of being a splendid blossom in the art of stone carving.
　　Pengxi County in Suining City is home to the stone carving known for its rich expressive power. Carved from the unique Pengxi bluestone, craftsmen gallop their imagination, creating intricate sculptures of figures and animals. The highlights are that they focus on adapting art to materials, much like nature itself.
　　Originating in the Tang Dynasty, Pengxi Stone Carving bears the grandeur of the era. Over years, Pengxi Stone Carving has formed a delicate, realistic and romantic style, with a distinct Northern style influence. Noble and majestic, ancient yet profound, these carvings are integrated into architecture and complemented architectural art, with high art merit unfolding before our eyes.
　　Since the 1980s, with the rapid development of local economies and the acceleration of urban construction, Pengxi Stone Carving has reached new height. As this art form increasingly plays a significant role in city landscaping, a new generation of talented artisans has emerged. In addition to preserving traditional techniques, they have introduced new methods such as relief carving and circular carving, blending aesthetics and modern anatomical understandings to this ancient carvings.
　　The new era has witnessed Pengxi Stone Carving’s unique artistry and vitality. While antique works are equipped with characteristics of vividness and elegance, modern works own traits of being fresh and natural, together with a deep artistic conception. Just as the stone-carved statue of Laozi sits atop a lush peak, this enduring art form will continue to captivate future generations with its eternal charm.
譯文蓬溪石雕：悅?cè)徊恍?br/>　　說(shuō)到四川非物質(zhì)文化遺產(chǎn)，蓬溪石雕以其生機(jī)盎然的形象和纖巧靈動(dòng)的地方風(fēng)格而享有盛譽(yù)，被譽(yù)為石雕藝術(shù)中的一朵奇葩。
　　蓬溪石雕產(chǎn)于遂寧市蓬溪縣，它以極強(qiáng)的表現(xiàn)力而聞名。工匠們以“蓬溪青石”為原料，讓想象力馳騁，創(chuàng)作出繁復(fù)的人物和動(dòng)物雕塑。匠人們善于因材施藝，將藝術(shù)與材料相結(jié)合，讓石雕作品渾然天成。
　　蓬溪石雕發(fā)源于唐朝，因而不可避免地傳承了盛世氣魄。經(jīng)過(guò)世代工匠的不斷創(chuàng)新和奉獻(xiàn)，蓬溪石雕形成了精雕細(xì)刻、寫(xiě)實(shí)浪漫的風(fēng)格，具有鮮明的北派藝術(shù)特色。最重要的是，它以崇高威嚴(yán)、古樸渾厚為特色，融入當(dāng)代建筑之中，與建筑藝術(shù)相輔相成、交相輝映，具有極高的藝術(shù)價(jià)值。
　　20世紀(jì)80年代以來(lái)，隨著各地經(jīng)濟(jì)的快速發(fā)展和城市建設(shè)步伐的推進(jìn)，蓬溪石雕達(dá)到了一個(gè)新高峰。隨著石雕藝術(shù)在城市裝飾和環(huán)境美化中發(fā)揮越來(lái)越重要的作用，大量雕刻藝術(shù)人才如潮水般涌現(xiàn)。在繼承傳統(tǒng)的基礎(chǔ)上，匠人們充分運(yùn)用浮雕和圓雕等技法，將美學(xué)和現(xiàn)代解剖融入石雕中。
　　如今，蓬溪石雕展現(xiàn)出獨(dú)特的藝術(shù)性和生命力：仿古作品栩栩如生，古樸典雅，而現(xiàn)代作品則清新自然，意境深幽。正如矗立在蓬溪高峰山上的老子石刻雕像一樣，蓬溪石雕這個(gè)歷久不衰的藝術(shù)形式將以其永恒的魅力繼續(xù)吸引人們的關(guān)注。
　　（指導(dǎo)教師：成都樹(shù)德中學(xué)寧夏校區(qū) 鐘焜）